WELCOME HARLEM STAGE’s new artistic director & ceo
DR. INDIRA ETWAROO

HARLEM IS OUR HOME. THE WORLD IS OUR STAGE.

Dr. Etwaroo is an award-winning producer, director, scholar and arts and culture executive who will write Harlem Stage’s next chapter as an institution that challenges inequity and exclusion in the arts, modeling the profound cultural importance of spaces where artists of color and thought-leaders can create work expressing urgent truths.

"I have lived my life governed by values of artistry, democracy, and equity.... I am profoundly humbled to have the opportunity to work in a place with the rich legacy that is Harlem and to lead the internationally influential New York cultural institution that is Harlem Stage, a beacon of the values that I hold dear.," shared Dr. Indira Etwaroo at Harlem Stage's gala. " It is not lost on me that my leadership tenure begins at a time when we must face - head on - the fragility of our fractured democracy, challenge demagoguery and the normalization of blatant falsehoods, and demand that cultural institutions be thought of as first responders and artists as frontline workers in this quest to create a more just, more truthful, more inclusive and more equitable world for the next generation and for generations to come. I am deeply committed to the work ahead."

ABOUT DR. ETWAROO

Dr. Indira Etwaroo is an award-winning producer, director, scholar, and arts and culture executive who has worked across the world to create and build multiplatform spaces and original multiplatform content that represent the diversity of the globe and lead towards institutional thrivability, while lifting up the voices of communities of the Global Majority and urging cultural institutions towards equity and sustainability. She has led strategic planning and the fundraising of over $110 million dollars invested in arts and culture in her leadership tenures. She most recently served as the Inaugural Director of the Steve Jobs Theater at Apple in Cupertino, California, driving the venue’s  strategy for all global partnerships and live global launches, technical theatrical innovation, and developing original multiplatform content rooted in Apple’s values. 

Indira is the mother of Zenzele Etwaroo Daniels, a director, actor and writer. 

Prior to that appointment, Etwaroo led the Off-Broadway Billie Holiday Theatre in Brooklyn, as its Executive Artistic Director, which was awarded the Presidential Medal of the Arts during her last year as its executive leader. She also led the efforts to create the first Black Lives Matter mural in NY in partnership with Brooklyn Council Member Robert Cornegy with artists Dawud West and Cey Adams and the commemorative book in 2020 photographed by Hollis King in response to the racially motivated violence against Black people in the U.S. and across the world. She produced and directed a live and online performance - named a Critics Pick in The New York Times - of 12 Angry Men…and Women: The Weight of the Wait, as the first Equity-approved live event in the nation during COVID-19, with artists Wendell Pierce, Lisa Arrindell, Billy Eugene Jones, Marsha Stephanie Blake and Daniel Bernard Roumain to call out police brutality.

She launched and directed signature programming at the Billie, including 50in50: Writing Ourselves Into Existence[3], with curatorial statements provided by MacArthur Genius Dominique Morriseau, which presented the writings of over one thousand Black women writers-to-date from across the world, as well as the Black Arts Institute, a training program at The Billie in partnership with Stella Adler Studio of Acting that gave college and university theater students of African descent the opportunity to take a deep dive into the canon of Black Theater with founding faculty that includes Stephen McKinley Henderson, Phylicia Rashad, Sonia Sanchez, Ruben Santiago-Hudson, and Michele Shay.

Indira has directed numerous works, including the world premiere of A Walk Into Slavery, as well as filmed and live events at The Steve Jobs Theater. She also served as Associate Director and Dramaturg for Much Ado About Nothing at Shakespeare in the Park directed by Kenny Leon and A Soldier's Play on Broadway directed by Kenny Leon (Tony Award for Best Revival). 

Etwaroo was the Founding Executive Producer of The Greene Space in NYC, where she conceptualized the first-of-its kind multiplatform venue and team in 2009 to bring live, on-air and online video content to audiences across the world. She was also Founding Executive Producer and Director of NPR Presents, the global live events platform where she developed original multi-platform content, including The Race Card Project, an initiative created by NPR host and journalist Michelle Norris and the seven-city National Water+[5] Tour, directed by Kenny Leon. Of note, she Executive Produced the American Broadcast Premiere of the 75th Anniversary of Zora Neal’s Hurston’s Their Eyes Were Watching God, starring Phylicia Rashad and the first-ever audio recordings and video broadcasts of August Wilson’s entire American Century Cycle, in partnership with the August Wilson Estate and Artistic Directors Ruben Santiago-Hudson and Stephen McKinley Henderson. Indira’s work at BAM, her first foray into the nonprofit world of arts and culture, developed educational and humanities’ content that leveraged BAM’s Main Stage work. Indira first began her professional career as an elementary school teacher, teaching arts and culture to underrepresented communities in Tegucigalpa, Honduras and Richmond, Virginia.

Etwaroo’s served on the advisory committee with the Doris Duke Charitable Trust and The New York Community Trust to understand the health and viability of African, Latinx, Asian, Arab, and Native American (ALAANA) arts groups in New York City to create the Mosaic Network and Fund. Etwaroo led the efforts for the strategic design of the first-ever national strategic initiative for Black theaters, The Black Seed, and brought in arts leaders Gary Anderson of Plowshare Theater (Detroit), Monica NDounou of The Craft Institute (Boston) and Shay Wafer of WACO Theater (LA) to serve as inaugural national advisors. Etwaroo raised $10.5 million dollars that was invested into the Black Theater field from 2021 to 2023. This work inspired the LatinX Theater Initiative supporting 52 theaters across the nation. She also served as the executive advisor to the Chadwick Boseman Estate to help shape their foundational work and was appointed to the NYC COVID-19 Mayoral Task Force with Mayor DeBlasio in 2020.

Etwaroo has been a professor of graduate and professional studies at Temple University and at NYU, designing and teaching research methods; dance, movement and pluralism; and leading performing arts institutions in the 21st century. She has published and lectured about the transformative power of the arts to create greater equity and institutional thrivability; the power of including women’s voices; and African Aesthetics and performance. Noted publications include Our Open Casket to the World: Black Lives Matter | Bed-Stuy 2020; A New World Awaits Us, co–authored with Kenny Leon (in American Theater Magazine, 2020); “Dance Rooted in the Movements of Bedford-Stuyvesant: Two Choreographers, One Aesthetic Tradition” In Hot Feet and Social Change: African Dance and Diaspora Communities, eds. Kariamu Welsh, Esailama G. A. Diouf, and Yvonne Daniel with a forward by Thomas F. DeFrantz, Danny Glover, and Harry Belafonte (Illinois University Press, 2019) and I Hope...:Lessons Learned by a Black Woman Cultural Leader in 2020, Grant makers in the Arts, 2023.

Etwaroo has been acknowledged with awards and honors for her work, including serving as a Fulbright Scholar where she lived and worked with refugee Somali women in Addis Ababa, Ethiopia in 2003-2004, the Inaugural Black Theatre United Advocacy Award, American Composers Orchestra’s Creative Catalyst Award, the “40 Under 40” of national leaders by The Network Journal in 2009, the Black Theater Network’s Larry Leon Hamlin Legacy Award, and the Larry Leon Hamlin Producer’s Award from the National Black Theater Festival.

Etwaroo received her BME from Longwood University in Classical Flute Performance; an MA in Dance Education from Temple University, and her PhD in Cultural Studies with a focus on Dance, Narrative and African Aesthetics from Temple University with a concentration in Women’s Studies.