MISSION

HISTORY

PRESS

VENUE

TEAM

BOARD

The Mission

Our History & Vision

Our North Star…Harlem Stage is the global stage for performing artists of the Global Majority who dare to assert the artistic freedom that gives birth to new works and ideas and, thus… a new world.

In 1983, Harlem Stage, (then named Aaron Davis Hall, Inc.) was founded in part on the principle that artists of color, particularly Black Artists’ voices were censored, not treated equitably, not given the resources, not provided the platforms that were commensurate with their talents. In short, they were denied equal access. Our mission was to provide access, resources, and enable audiences to witness the visionary work of excellence by artists of color that examined and critiqued the world, our world. We have presented and commissioned their work for nearly 40 years and continue that work at the intersection of Art and Social Justice.

Our collective work continues to amplify the voices of the millions who have taken to the streets demanding justice not just this time, but also historically to examine and denounce racism, its terrible legacy, and its recurring deleterious impact. We are proud of our past and are finally seeing a gradual increase in the presentation of these artists in programming offered by institutions across the country and the world. Simultaneously we realize that while we have seeded the field with their representation, we have not been treated equitably, not given the resources that are required to develop and consistently sustain this work, this investment in artistic equity. The development of new work is a costly matter, from artists’ commissions to rehearsal fees to marketing expenses, each new work takes from 1 to 2 years to develop and costs an average of $200,000 to produce.

Read More

Our commitment has been rewarded in work of outstanding quality and insight, art that transforms. Our long history includes: Craig Harris’s Brown Butterfly on the real fight of Cassius Clay to become Muhammad Ali, triumphant in the ring but imprisoned for his refusal to fight in an unjust war; the late Sekou Sundiata’s 51st Dream State, a state of imagined grace founded in the recognition of our common humanity; and later through our WaterWorks initiative – Vijay Iyer and Mike Ladd’s Holding it Down, revealing the impact of another war in which soldiers of color were traumatized in a conflict not of their own making; Carl Hancock Rux’s Makandal, developed as an opera examining the life and history of the first betrayed Haitian revolutionary (which we had to shelve because we could not raise the funds required to bring the project to full staging); the two and a half year citywide celebration of the works of James Baldwin which culminated with Stew’s Notes of a Native Song which included his homage to the innocence of young Trayvon Martin in, Florida; and Meshell Ndegeocello’s, Can I get a Witness? The Gospel of James Baldwin, with its church-infused music and sermons, became a healing ceremony that cautioned and prepared us for the pending “Fire Next Time” following the election of Donald Trump; the community reckoning of Antigone In Ferguson done in collaboration with Theatre of War in recognition of the murder of Michael Brown; our tribute to the revolutionary thinking and music of Sun Ra led by Nona Hendryx in the Temple of Dendur in collaboration with the Metropolitan Museum of Art. And then the COVID-19 curtain fell just as we were prepared to produce the American premiere of A Drop of Midnight by Afro-Swedish hip hop star, Jason “Timbuktu” Diakité – a performance based on his autobiographical novel tracing the journey of his family from Harlem, to Sweden and his return to their roots in South Carolina and the racism that he encountered along the way.
Our calling out for justice has been long and consistent, not from the streets but from the stage, from Harlem Stage.”

HARLEM IS
OUR HOME.
THE WORLD
IS OUR
STAGE.

Accessibility

Making performances easily accessible to all audiences is a pillar of the Harlem Stage mission. We are always striving to improve the experience for all, including those with disabilities, and are working to implement the latest accessibility guidelines.

Our venue is wheelchair accessible, and has an elevator which allows for full access to our public spaces. Tickets for accessible seats are available for purchase over the phone, online, or in-person.

Wheelchair accessible / gender-neutral bathrooms are located on the first floor.

Much of our digital programs and content is closed captioned and we are actively working to acquire assistive listening devices and provide live captioning on all of our digital programming.

If there is anything we can do to make your experience with our programming, our website, or our venue more accessible to you please let us know.

Phone: (212) 281-9240 EXT 19
E-Mail: [email protected]
Mailing Address: 150 Convent Avenue New York, New York 10031

Our Commitment to the Planet

Harlem Stage’s values are rooted in ensuring a sustainable planet. Because we see climate change as one of the most pressing issues of our time – an issue that disproportionately impacts Black and Brown communities across the globe – we will continue to honor environmental initiatives both in our operations and programming.

Our efforts in using less paper, transitioning to LEDs in our tech and operational spaces, and leaning into digital communications, we have reduced our carbon footprint by 2.5 tons this 2024 – 2025 season alone. Finally, we are proud to work with artists, such as Bebe Miller who will explore the dynamic and thriving ecology of forests, as necessary to a sustainable planet, as part of our Spring 2025 E-Moves Festival.

THE TEAM

DR. INDIRA ETWAROO

DR. INDIRA ETWAROO

CEO & Artistic Director

BIO

Dr. Indira Etwaroo, an award-winning producer, director, scholar, and arts and culture executive who has worked across the world to create and build multiplatform spaces and original content that represent the diversity of the globe and lead towards institutional thrivability and equity, while lifting up the voices of underrepresented communities. Her most recent tenure was as the first-ever director of the Steve Jobs Theater at Apple in California, driving innovation and collaboration across the company.

 

Dr. Etwaroo led the efforts for the strategic design and fundraising for the first-ever national strategic initiative for Black theaters, The Black Seed, which pushed $10.5 Million dollars into the Black Theater field from 2021-2023. She also served as the Inaugural Executive for the Chadwick Boseman Foundation. Dr. Etwaroo led the Off-Broadway Billie Holiday Theatre in Brooklyn, awarded the Presidential Medal of the Arts for the artistic social justice work in 2020-2021 under her executive leadership. She led the theater through radical growth, as its Executive Artistic Director: more than doubling the audience, increasing revenue by 212%, and producing groundbreaking content that won the AUDELCO Award for Best Play of the Year four years in a row under her tenure. She also led efforts to create the first Black Lives Matter mural in NY and the keepsake book in 2020 in response to the disproportionate killings and injustices of Black people in the U.S. and across the world.

 

Dr. Etwaroo was a major force for content innovation and inclusion in the public media field, as the Founding Executive Producer and Director of The Greene Space in NYC where she conceptualized the first-of-its kind multiplatform space in the nation, presenting content on air on WNYC and digitally via live video streaming with a multi-camera mix in 2009 in front of a live studio audience and Founding Executive Producer and Director of NPR Presents, the global live events platform to bring live, on-air and online content to audiences across the world. Indira’s work at BAM developed educational and humanities’ content that leveraged BAM’s adventurous MainStage work. Dr. Etwaroo has been a professor of graduate studies at Temple University and at NYU, designing and teaching the course Leading Performing Arts Institutions in the 21st Century. She is a proud Board Member of Black Theatre.

DEIRDRE MAY

DEIRDRE MAY

Chief Content Communications Officer

MARGARET HUNT

MARGARET HUNT

Development Lead

JELANI BUCKNER

JELANI BUCKNER

Innovation Business Management Director

ACEY ANDERSON

ACEY ANDERSON

Maintenance Associate

LAMONT ASKINS

LAMONT ASKINS

Operations Manager

KATIE BURKE

KATIE BURKE

Graphic Design

BETHANY CINTRON

BETHANY CINTRON

Community, Education, and Social Initiatives Manager

DENZEL FIELDS

DENZEL FIELDS

Programming and Administrative Associate

JULIANNA FRIEDMAN

JULIANNA FRIEDMAN

Associate Director of Individual & Foundational Giving

DENIZ KOFTECI

DENIZ KOFTECI

Social Media & Website

SAÚL ULERIO

SAÚL ULERIO

Technical Director

SHANTÉ SKYERS

SHANTÉ SKYERS

Director of Government, Corporate and Community Relations

KARLVY SMITH

KARLVY SMITH

Strategic Planning Senior Manager

DONNA WALKER -KUHNE

DONNA WALKER -KUHNE

Community Engagement Advisor

BOARD OF DIRECTORS

BOARD OF DIRECTORS

Ronald K. Alexander

Ronald K. Alexander

BIO

Ronald K. Alexander is a distinguished dance educator, arts administrator, and artist. He has danced with prominent ballet companies, including The National Ballet of Canada in Toronto, the Frankfurt Ballet and Hamburg Ballet in Germany, and the Metropolitan Opera Ballet in New York City. As a choreographer, Ronald has created works for a variety of institutions, including the Hamburg Ballet, Clark Center for the Performing Arts, the Ailey School and the Ailey Extension, Harlem School of the Arts, Dance Theatre of Harlem, Warner Theatre in Torrington, CT, and RestorationART, among others. In recognition of his lifelong contributions to the arts, Ronald was honored with a Legacy Award by Morehouse College in 2024 at the Dr. Martin Luther King, Jr. Chapel. He has also dedicated many years to serving on the Bessie Awards Nominating Committee for Dance.
From 1994 to 2002, Mr. Alexander was a certified dance instructor with the New York City Department of Education. He has held numerous administrative and artistic roles, including Chairman of the Dance Department at the Harlem School of the Arts under the leadership of Betty Allen, School Supervisor at the Dance Theatre of Harlem School under Arthur Mitchell, Principal of Contemporary Arts, and Director of Education at the Bedford-Stuyvesant Restoration Corporation Youth Arts Academy under Dr. Indira Etwaroo. Mr. Alexander holds a Master of Fine Arts Degree in Dance from the Tisch School of the Arts at New York University, as well as a certificate in School Supervision and Administration from the City College of New York. He was featured in the 2011 Dance Teacher Magazine article "Five Teachers, Five Venues." Most recently, he received the 2022 Dance Magazine Teacher of the Year Award and is currently a faculty member at the Ailey School in New York.
Ronald has dedicated his life to making dance accessible to communities across NYC and the world.

Angela Glover Blackwell

Angela Glover Blackwell

BIO

Angela Glover Blackwell is Founder in Residence at PolicyLink, the organization she started in 1999 to advance racial and economic equity for all. Under Angela’s leadership, PolicyLink gained national prominence in the movement to use public policy to improve access and opportunity for all low-income people and communities of color, particularly in the areas of health, housing, transportation, and infrastructure. Angela is also the host of the Radical Imagination podcast and Professor of Practice at the Goldman School of Public Policy, University of California, Berkeley. Prior to founding PolicyLink, Angela served as Senior Vice President at The Rockefeller Foundation. A lawyer by training, she gained national recognition as founder of the Urban Strategies Council. From 1977 to 1987, Angela was a partner at Public Advocates. Angela is the co-author of Uncommon Common Ground: Race and America’s Future, and she authored The Curb Cut Effect, published in the Stanford Social Innovation Review in 2017. As a leading voice in the movement for equity in America, Angela serves on numerous boards.  She has been a member of the Harlem Stage board since 2016.From 1994 to 2002, Mr. Alexander was a certified dance instructor with the New York City Department of Education. He has held numerous administrative and artistic roles, including Chairman of the Dance Department at the Harlem School of the Arts under the leadership of Betty Allen, School Supervisor at the Dance Theatre of Harlem School under Arthur Mitchell, Principal of Contemporary Arts, and Director of Education at the Bedford-Stuyvesant Restoration Corporation Youth Arts Academy under Dr. Indira Etwaroo. Mr. Alexander holds a Master of Fine Arts Degree in Dance from the Tisch School of the Arts at New York University, as well as a certificate in School Supervision and Administration from the City College of New York. He was featured in the 2011 Dance Teacher Magazine article "Five Teachers, Five Venues." Most recently, he received the 2022 Dance Magazine Teacher of the Year Award and is currently a faculty member at the Ailey School in New York.
Ronald has dedicated his life to making dance accessible to communities across NYC and the world.

Jenna Bond

Jenna Bond

BIO

Jenna Bond is a writer/producer and strategist shaped by the niche and obscure lives of the fading New York City. Her work ranges from screen projects RUN THE WORLD (Starz) and OUR SHARED FUTURE for the Smithsonian, to launching special projects, ghostwriting op-eds and managing change strategy for high profile leaders in arts and entertainment.

Her career includes Vanguarde Media, Clinton Foundation, Havas PR, Apollo Theater and Writers Guild of America, East. Jenna’s philanthropic commitment is rooted in the arts, previously leading young patron efforts for the Clinton Foundation, Evidence, A Dance Company and Jazz at Lincoln Center. Jenna is a graduate of Wellesley College, Columbia Business School and Upright Citizens Brigade. Passionate about providing strategic support to artists, she was most recently a 2022 Visiting Critic for the Wassaic Project.

She has served on the Harlem Stage Board since 2022.

Jamila Ponton Bragg

Jamila Ponton Bragg

BIO

Jamila Ponton Bragg is the Founder of JamRock Productions, LLC, a theater production company committed to works for women, about women and by women. After nearly twenty years in the nonprofit industry, Ms. Bragg transitioned to theater production. Ms. Bragg began her journey as a producer in March 2020 as a co-producer on Blue (2000), a play by Charles Randolph Wright. Currently, that production is on hold due to the coronavirus. Ms. Bragg is working in collaboration with the Ntozake Shange Literary Trust and Harlem Stage to stage a production of The Photograph, a play set in 1970s San Francisco from Ms. Shange. The production is scheduled for 2022. Ms. Bragg is also working with the Ntozake Shange Literary Trust to stage a production of Betsey Brown (1985), a semi-autobiographical book about Ms. Shange’s time with her family as a thirteen-year-old in St. Louis in 1955. The Betsey Brown project is scheduled for a workshop reading in Spring 2022.

Ms. Bragg graduated from Duke University in 1996 with a BS in Psychology and earned an Ed.M. from the Harvard Graduate School of Education in 1999. She is originally from Pittsburgh, PA, resides in Harlem, NY with her husband and her two children.

She has served on the Harlem Stage Board since 2022.

JoAnn K. Chase

JoAnn K. Chase

BIO

JoAnn K. Chase is a citizen of the Mandan, Hidatsa & Arikara Indian Nation, and was born and raised in the community of Twin Buttes, North Dakota. She currently serves in the Biden/Harris administration as the Director of the American Indian Environmental Office, Office of International and Tribal Affairs. She is a social justice advocate and innovative strategist committed to building a more inclusive democracy. After serving as the Executive Director of the National Congress of American Indians, this country’s oldest and largest organization representing tribal governments, JoAnn moved to New York City to launch her own consulting company, The Chase Group. She joined the Harlem Stage board in 2016 and served as chair of the Harlem Stage Spring Gala that year. She served as Board President from 2019 to 2021.

Jamie Cannon

Jamie Cannon

Vice President

BIO

Jamie Cannon launched Wonderland, a NYC-based startup focused on how modern digital tools can empower a new generation of musicians to be successful on their own terms. Jamie was previously a 15+ year veteran of Microsoft in Seattle where he held leadership positions in product management and product marketing. Of note, Jamie worked directly with Bill Gates on competitive strategy and the current CEO, Satya Nadella, on a refreshed strategy for engaging consumers with Microsoft products. Jamie believes in the transformative power of art with an emphasis on the critical role unique and diverse voices play in sustaining a vibrant culture. He has served on the board since 2020 and as Board Vice President since 2022.

Hugh Dancy

Hugh Dancy

BIO

Hugh Dancy is recognized for his role as “Will Graham” in the critically-praised series HANNIBAL on NBC, which earned him two Critic’s Choice Award nominations. He appeared in Tanya Wexler’s HYSTERIA, LATE NIGHT opposite writer and co-star Mindy Kaling, MARTHA MARCY MAY MARLENE directed by Sean Durkin; ADAM directed by Max Mayer, CONFESSIONS OF A SHOPAHOLIC opposite Isla Fisher, BEYOND THE GATES opposite John Hurt. In the West End Hugh started in San Mendes’s final production at the Donmar Warehouse, TO THE GREEN FIELDS BEYOND, and on Broadway in the Tony Award-winning productions of JOURNEY’S END and VENUS IN FUR, as well as the celebrated Off Broadway productions of Roundabout Theatre Company’s APOLOGIA and MCC’s THE PRIDE. He played Cal in the critically acclaimed Hulu series THE PATH, and can also be seen in the miniseries DEADLINE GALLIPOLI, and ELIZABETH 1 opposite Helen Mirren, for which he received an Emmy nomination. Hugh was most recently seen in the final season of HOMELAND, and opposite Audra Mcdonald in THE GOOD FIGHT.

Claire Danes

Claire Danes

BIO

Claire Danes first garnered attention for her portrayal of Angela Chase on “My So Called Life” and has since starred in numerous films and television shows. For her role as Carrie Mathison on Showtime’s critically acclaimed series, “Homeland,” she won back to back Emmy and Golden Globe Awards as well as a SAG Award. Danes is also well known for her performances in HBO’s biopic “Temple Grandin,” “Shopgirl” opposite Steve Martin, Baz Luhrman’s “William Shakespeare’s Romeo & Juliet,” “Little Women” alongside Winona Ryder, Susan Sarandon and Kirsten Dunst, among many others. Additionally, Danes recently recorded the audiobook of Margaret Atwood’s The Handmaid’s Tale.
She has served on the Harlem Stage Board since 2020.

Courtney F. Lee-Mitchell

Courtney F. Lee-Mitchell

President

BIO

From 2007 to 2012, Courtney F. Lee-Mitchell headed development for Cine Mosaic, the NYC-based production company founded by Lydia Dean Pilcher. Since 2012, Courtney has been developing independent film/tv projects with an emphasis on prominent roles for men and women of color. Courtney is a graduate of UCLA School of Law and Bard College. She has been a Harlem Stage board member since 2015 and served as Board Vice President from 2019 to 2021.  She has served as Board President since 2021.

Larry McRae

Larry McRae

BIO

Larry McRae served as vice chairman and corporate development officer at Corning Incorporated until his retirement on January 1, 2024. In this role, McRae implemented strategies related to Corning’s business portfolio, partner agreements, and mergers and acquisitions. He was also responsible for managing global Government Affairs. Previously, he served as executive vice president, Strategy and Corporate Development. In this position, he was responsible for developing strategic approaches for activities across Corning’s business units, from partner agreements to business-portfolio decisions. McRae joined Corning in 1985 and held a broad range of leadership positions in finance, sales, marketing, and general management across various Corning businesses. In 1990, he was named manager, International Sales, Corning Life Sciences. In 1993, he became business director for Revere Ware Corporation, a unit of Corning Consumer Products Company. He was appointed vice president of Corning Consumer Products Company and president of Revere Ware Corporation in April 1995. He then moved to Telecommunications Products, where he served as division vice president, Global Development, from October 1996 to January 2000. McRae led Corporate Development since 2000 and has served on Corning’s Senior Leadership Team (formerly its Management Committee) since 2007. He was named vice chairman in 2015. Previously, McRae was a senior accountant with Price Waterhouse. McRae holds a bachelor’s degree in accounting from Morgan State University and a master’s degree from Harvard University. He has served on the board of directors for Hemlock Semiconductor Group, Dow Corning Corporation, Samsung Corning Advanced Glass, LLC, and Instant Brands (formerly Corelle Brands). He currently serves on the board of Anchor Hocking.

Channing Martin

Channing Martin

BIO

IPG’s Global Chief Diversity and Social Impact Officer. In this role, she is responsible for advancing IPG’s diversity, equity and inclusion objectives and continuing to strengthen the company’s progress to being one of the world’s most diverse and inclusive companies.
Throughout her career, she has developed and executed measurable diversity initiatives that amplify employee voices, build diverse pipelines of talent, mitigate bias in hiring and performance reviews and strengthen community partnerships to reach new audiences.
She has been a Harlem Stage Board Member since 2024.

Rebecca Robertson

Rebecca Robertson

BIO

Rebecca Robertson is the founding President and Executive Producer of Park Avenue Armory: the significant historic structure named by The New York Times as New York’s “most important new cultural institution.” From 2000 to 2006, Rebecca ran the $1.4 billion redevelopment of Lincoln Center for the Performing Arts. Before that, she led the team that transformed blighted 42nd Street into a vibrant, mixed-use block of popular culture that included eight restored historic theatres. She also served as a lecturer at the Harvard School of Design.

LaChanze Sapp-Gooding

LaChanze Sapp-Gooding

BIO

LaChanze Sapp-Gooding is an Actor, Singer and Author. She has been a Harlem Stage Board member since 2017.

Tamara Tunie

Tamara Tunie

BIO

Tamara Tunie is an Actor, Producer, Director and Entertainment Consultant. She has been a Harlem Stage board member since 2009, and served as Board President from 2011 to 2019.

Mark Thomas

Mark Thomas

Treasurer

BIO

Mark Thomas is a Strategic Account Executive with Johnson Controls International. Mr. Thomas is an active volunteer with the USO of Metropolitan New York and Management Leadership for Tomorrow. He is a graduate of Tufts University and Columbia Business School and enjoys competing in Olympic Distance triathlons. He has been a Harlem Stage Board member since 2018 and has served as Board Treasurer since 2019.

Heather Wagoner

Heather Wagoner

BIO

Heather Wagoner is a distinguished corporate communications executive known for her deep expertise in aligning organizational messaging with broader strategic objectives. At the core of her work is a commitment to compelling storytelling, ensuring that every facet of a company’s communications reflects and reinforces its mission, values, and business strategy.
Her strategic approach, coupled with her extensive experience and proven expertise in leadership communications, reputation management, and crisis communications, has earned her a prominent place Heather as a trusted advisor in some of the world’s most influential global companies. She has a passion for fostering collaboration and engagement within global teams. With a nuanced understanding of the interplay between internal and external perceptions, she seamlessly integrates strategic foresight with meticulous execution to deliver results that move the needle for her organizations. Her work has consistently elevated organizational performance, built resilient reputations, and enhanced stakeholder trust.
Currently, Heather serves as the Senior Vice President of Internal Communications at Warner Bros. Discovery, where she is focused on expanding the organization’s communication strategies and creating global alignment of teams. Previously, she spent five years leading the Internal Communications department at Apple’s headquarters in Cupertino, California, guiding the organization’s internal communications strategy through unprecedented challenges during the COVID-19 pandemic and responding to significant societal events, including the global reaction to the killing of George Floyd. Earlier in her career, Heather served as Director of Internal Communication and Engagement at the BBC, managing communications for a global workforce. She also held the role of Internal Communications Business Partner at Rolls-Royce, where she played an integral role in shaping the company’s internal messaging and engagement strategies from 2010 to 2013. Heather holds a Bachelor’s degree in Journalism from The Ohio State University, providing her with a solid foundation in both storytelling and strategic communication. Her career reflects a unique ability to blend insight, foresight, and execution to drive meaningful organizational change and enhance communication impact on a global scale.

Blair Washington

Blair Washington

BIO

Blair Washington is head of the Minority Depository Institution Engagement Diverse Financial Institutions Group. He is an impact banker who is dedicated to creating bridges between corporate finance, wealth creation, social change, and economic development in marginalized communities.

Michael Young

Michael Young

Secretary

BIO

Michael A. Young is the President of Vision Marketing. He has been a Harlem Stage board member since 2009 and has served as Board Secretary since 2013.

RENTALS

Harlem Stage is available weekdays and weekends for Events & Space rentals

A flexible, designed space provides a 2,990 square foot open performance area, with a full grid for hanging lights and most scenery. This theater has a maximum capacity of 192 (including wheelchair accessible locations) with flexible seating configurations that can be tailored to production needs. The control booth allows for creative usage of lighting and sound. This space is ideal for performances, lectures, cocktail receptions, fundraising events and photo and film shoots.

Additional services included with renting Harlem Stage:

  • One Private Dressing Room
  • Two Group Dressing Rooms (Max 7 people in each)
  • One Green Room
  • Full Box Office Services
  • Coat Check
  • Convenient Loading Dock
  • Convenient Seasonal Outdoor Café/Lounge

For more information on leasing The Harlem Stage Gatehouse contact [email protected]

CONTACT US